备注：已完结
类型：美剧
主演：大卫·哈塞尔霍夫 爱德华·马哈尔 理查德·贝斯哈特 帕特里夏·麦克弗森
导演：温里希·科尔贝 Georg Fenady 西德尼·海斯 Harvey S. Laidman Jeffrey Hayden 伯纳德·麦克埃弗蒂 鲍勃·布雷维尔 查尔斯·贝尔 Charles Watson Sanford Roy Campanella II Gino Grimaldi Gilbert M. Shilton
语言：英语
年代：未知
简介： A lone crimefighter battles the forces of evil with the help of an indestructible and artificially intelligent supercar.
备注：已完结
类型：台剧
导演：李岳峰
语言：国语
年代：未知
简介：一朵金兰花，一朵玉兰花——蕴含着武林的一个重大秘密，武林中人为争夺此花而各情鬼胎、大打出手。而神秘的人兰花先生为阻止众人争夺此花，以午夜兰花之名滥杀无辜，每杀一人，就在尸体旁留下一朵兰花……楚留香等人为查出个中真相，抽丝剥茧追寻幕后之人，陷入前所未有的险境......
备注：已完结
类型：台剧
导演：李岳峰
语言：国语
年代：未知
简介：八月十五，中秋之夜。五大派掌门弟子离奇暴毙。盗帅楚留香不意卷入其中，被近珥五大掌门约定三月之内找出真凶。正当楚留香追查神秘人——影子之际，其红颜知己沈无心竟然成为受怀疑的对象，更由此引聘段二十年前的武林秘事。另一方面，沈无心之兄长地藏王秦震一统江湖的大业却己悄悄展开......
备注：已完结
类型：恐怖片
主演：马克·帕顿 肯·迈尔斯 罗伯特·拉斯勒 克鲁·古拉格 霍普·兰格 马绍
导演：杰克·舒德
语言：英语
年代：未知
简介：上一集南茜将恶魔佛瑞迪（罗伯特?英格兰德 Robert Englund 饰）的鬼魂封在了钢爪手套后，她举家搬出了艾姆街。男孩杰西（马克?佩顿 Mark?Patton 饰）一家搬了进来，自从杰西住进这座房子，他就不断的作恶梦，搅得他不得安生。一次偶然，杰西在地下室发现了南茜留下的钢爪手套，因此佛瑞迪的鬼魂得以逃脱封印。重获自由的佛瑞迪利用杰西的身体开始四出作案，尽管杰西努力控制自己想以此对抗佛瑞迪的控制，可是佛瑞迪的邪恶意识太强大了，杰西根本控制不了自己。当佛瑞迪将魔爪伸向杰西的女友莉莎时，这时候只有杰西才能挽救她，杰西最终能否战胜恶魔？
备注：已完结
类型：科幻片
主演：乔纳森·普雷斯 罗伯特·德尼罗 凯瑟琳·海蒙德 伊安·霍姆 鲍勃·霍斯
导演：特瑞·吉列姆
语言：英语
年代：未知
简介：未来，英国进入一个资讯管控的时代，每个人的一举一动都遭到监视。因为被认定为恐怖分子，巴托在家中被捕，而且逮捕过程严格按照流程。这个案件引起了档案局职员山姆•劳伊（乔纳森•普雷斯 Jonathan Pryce 饰）的兴趣。随后，他遵从母命，进入资讯管理局工作，得以进一步调查此事。 山姆家的空调坏了，在他求助无望之际，电气修理工达脱（罗伯特•德尼罗 Robert De Niro 饰）不请自来。他那一身武器装备，让山姆感到如临大敌。原来，达脱是资讯管理局通缉的要犯，他被指控的理由便是不遵守作业程序。随后，山姆发现资讯管理局对巴托案件存在不可告人的疑点，同事杰克（迈克尔•帕林 Michael Palin 饰）对此闪烁其词。于是，山姆决定一探究竟，其间他邂逅了梦中情人——吉尔•莱顿（金•格雷斯特 Kim Greist 饰），两个人并肩作战，发现了一个巨大的阴谋……
备注：已完结
类型：科幻片
主演：耶日·斯图尔 克里斯提娜·杨达 卡里娜·谢鲁斯克 马里乌什·德莫霍夫斯
导演：皮奥特尔·舒尔金
语言：其它
年代：未知
简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
